Indie Author interview Cathryn Grant: Demise of the Soccer Moms Website: Suburban Noir http://suburbannoir.com/ Q. Cathryn, you are the first person I have ‘known’ who has taken the publishing bull by the horns and gone Indie. Others have followed, and the quality says a lot about how difficult it is to crack the traditional route. What set you off in that direction? Had you tried other routes? How did you choose the publishing platform, and what did they offer that others didn’t? What surprised you most about the process? Cathryn: About ten years ago I started submitting short stories for … Continue reading Interview with Cathryn Grant; author of ‘Demise of the Soccer Moms’
This could just possibly be the daftest idea I ever had. I’ve opened a page where I will list indie publications as I hear of them. Mostly, I suspect, written by blog- and twitter-mates, but of course, the floodgates may be creaking on their hinges as I prepare this post. I don’t intend to review or even read everything that’s listed, although I’m starting off with Cathryn Grant’s Demise of the Soccer Moms which I have reviewed (just waiting for Cathryn’s say so about using the cover image). But I’ll be ensuring nothing offensive – to me, as this is … Continue reading Indie Authors’ page – new
I already knew this, I can’t say I didn’t, so why then do I feel disquiet at the notion of the ‘slush pile’? It’s not the fact of being in a queue or of waiting for an evaluation of suitability, those are regular experiences in my world. It isn’t even the element of subjectivity, the lack of control, or the length of time invested in the wait because these too are familiar in matters such as applications for research funding. In both circumstances, there are rules to be followed; this many words or characters, this kind of remit, and that … Continue reading The #Scrapslush campaign
Look at that, two watershed moments in one title! The first, the NOT, is a bit of news I’ve been sitting on for a couple of weeks now – an actual, whole, bona fide ( or in this case, more aptly perhaps, bony fido) *publication!! Ok, so another 79 people won the competition too but what good company my junior offering is in! Fancy a look at a real feast of bite-sized fiction? Get yourself over to Michael J Solender’s blog ‘NOT from here, are you?’ and download the e-chap. The out-and-out winner was Sam Adamson whose story ‘The Pit … Continue reading Got NOT-ted!
This time last year, I signed up for a twelve week Open University course on writing fiction and, hey ho, I’ve done it again. Thirty two weeks this time, creative writing, WITH POETRY – am I mad?! Sweepy Jean, your Gil Scott-Heron entry may have come in the nick of time – that kind of poetry I can relate to. But what’s this about biography and autobiography? Will I have to follow Fabio Cappello around while he negotiates his exit from England management? Or Rooney? Please, not Rooney, I don’t speak Scouse! Beckham though.. I’ve been faffing about considering this … Continue reading Gloves are off, now it’s serious..
I’ve seen this debate elsewhere, publish on your blog so you have a ‘presence’ or keep your work to yourself so that it remains saleable. So far, I’ve just put up early pieces; exercises, bits and bobs that might entertain but that wouldn’t make it into a slush pile, never mind a magazine. Last week though, on leave and with only myself to entertain, I wrote what I think is one of my best short stories EVER (nah – doesn’t take much!) and, it being under 500 words, I was about to sling it up here for my many thousands … Continue reading If not the blog then, where?
I like my sci-fi, really I do, and having been inducted at the age of eight into this genre, I am more than familiar with the essentials of pseudo-scientific terminology. Heck, I write it myself and I appreciate both the value and the pitfalls of inventing tech-speak to describe something that isn’t yet in existence. For me, the best tech-speak conveys a sense of familiarity so that, on reading it, I have a feeling I know what this is even though that has to be impossible. The worst offers a stream of multi-hyphenated guff and tells me this is ‘normal’, … Continue reading Hugo Nominee – are we suckered by techno-twaddle?
Just a little while ago, we were talking about the kinds of support we get from other writers and how we value the small communities that build up around blogs and tweets. Some of us are beginners with little to offer except awe for those who are into their third novel. Published or not, that’s tenacity, and if so far they haven’t hooked a publisher, this may say more about the vastness of the market than the quality of their work. If you can’t find ’em, you can’t impress ’em, and as the same principle applies in reverse, getting an … Continue reading Authors and writers in Second Life
Here’s a thought. Ever seen those sketch artists on the street or at local fayres who produce a portrait of you in a matter of minutes and you love it just because of the unique focused attention it offers? Well, how about an equivalent for writers/wannabe writers? Quite a few talk about doing their writing in cafes or bars (here, it would be the local pub – wey hey!) which presumably means either buying quantities of coffee or beer or trying to avoid attention while making just one last three hours. What about trading your services for a bit of … Continue reading Writing as cabaret
I have recently unfollowed someone for using the C word in a tweet. The offender gave a cursory apology but, in suggesting that those of us with ‘delicate sensibilities’ should ‘cover our ears’, rather belied himself. As a writer of court reports, some of them addressing abusive and criminal behaviours and requiring verbatim quotes, I am not unfamiliar with offensive language nor too fragile of constitution to repeat it when required. In fact, in therapy sessions, when clients have no other words for something and use, let’s call it a ‘street’ word so as not to attract unwelcome attention, I … Continue reading Language most foul