Out today in ePub format, Let Me Tell You a Story is now a download for eReaders with additional links to sound files.
Problems with the ePub format? Try Calibre’s free converter to make a MOBI file and email it to your Kindle account.
The Breathing of Souls
“Slick as oil over water, Katia headed for the house of the man whose dreams she needed to reprogramme. She shifted through his bedroom wall like damp through old bricks to wait by his cot for the right moment. Then, as his eyes began to flick back and forth and his long limbs twitched, she bent close to his ear, reintroducing the precious seed stolen by the Reversionists to demolish the future.”
In ZeroFlash in response to prompt including, um, zeros!
“Valerie’s mother is nagging and she’s doing it, frustratingly, from under the screwed-up paper towels and muddy-looking wipes in the sluice so Valerie can’t dig her out. She’s doing her best with the unfinished business but it isn’t easy with the constant interruptions. This time though, despite the noises, she hopes she has succeeded because, a few yards away in the communal dining room, Pete is turning blue.”
Excerpt from ‘God’s Scrubber’, finalist in the Coalition of Texans with Disabilities’ Pen2Paper competition and free to read as a PDF from their site http://www.txdisabilities.org/pen-2-paper. Winners to be announced on October 30th.
Rapture, by Phillippa Yaa de Villiers, is dedicated to the protection of South Africa’s rhinos and is reproduced here in support of World Rhino Day.
We have to keep going as if there is a future, but it’s the end of the world,
the rapture, screaming bodies hurled to heaven. Wars everywhere and the middle
east burning: the smell of bodies lost to wonder, the callous mistake of statistics
sunburnt holes in the sky and the ritual murder of elephants and rhinos
almost industrialized, like our responses as automatic as breathing
as automatic as pressing a button as automatic as autopilot settings
as bodies kept alive by machines, and we are asked what we think
like/don’t like and there’s the debate and the edge of the world subsides
into flames of not caring. The world will end and we are nowhere near
the ones we love and the cold voice of the airport tells us to hurry to our boarding gate;
the ark is only half-built, the launch of the new strategy for the state is still waiting
for a coat of paint.
Here’s our life spread out in Eliot’s etherized surgery, facing Soyinka’s unwelcome guest
who won’t care about whether or not it’s convenient for you, will come calling when he likes
and when death comes for me I want to be busy making light. It won’t do to blame politicians for
power failures, I thank them as I write you, poem, into life.
Not dead yet, I’ve still got the whole night because I am not the one who was shot, banned or
almost beheaded, I am not the victim of some gruesome experiment with power, I simply
stand and stare at our world and write down what I see and even though it is misunderstood
at times, it stands.
The world ended just a moment ago
for another rhino lying in its lonely blood but that might not be on the news tomorrow.
Probably not. The news is hardly ever of sorrow but of egos mortally offended, naked
emperors and a child’s laugh as he paints the funfair of history. The electricity of connection
fails to resurrect our community, we’re in the dark here, so take this small hand,
this poem, this picture, spark stolen
from a power failure in Johannesburg:
may it light your way till you find your own.
First published in the 2013 anthology For Rhino in a Shrinking World (Ed Harry Owen) and subsequently with audio in the anthology Let Me Tell You a Story, 2016.
‘Are you sure you want to go through with this?’ Hannah paused, giving Lou a moment to consider, her fingertips tightly pinching the edge of the paper strip.
With eyes tightly closed her best friend nodded. ‘Do it.’ As Hannah tore the waxed paper downwards Lou let out a shriek, the piercing cry of a doomed creature caught in a snare.
‘Told you it would hurt,’ said Hannah, suppressing a smile. ‘Do you want me to carry on?’
They both appraised the runway, a rectangle of white skin trailing from kneecap to shin, bounded by the remaining forest of chestnut hairs. ‘You’ve got to do the rest – I can’t go out looking like a half-skinned bear in a dress.’
Tracy Fells was short-listed for the Commonwealth Writers Short Story Prize in 2014 and Phoenix and Marilyn won 2012 ChocLit Publishing’s Summer Short Story Prize. Read the rest of this story and others by Tracy Fells in Let me Tell You a Story and hear Tracy’s own narration by scanning a QR code on the page. Available from Lulu andAmazon.
On August 22nd 2015, a display jet failed to pull out of a loop and ploughed into traffic waiting at lights on a main road near the airport. Eleven people died.
Two pieces – a poem and a story – in the anthology Let Me Tell You a Story were written in response by authors who lived nearby. These are free to read and hear from August 1st in memory of those who died.
News report Contains video and still images.
After five years of intermittent abductions during which George wrecked all their automatic doors by not going in or out of any of them; refused to speak unless offered his preferred variety of meat selection and then only in a language they hadn’t anticipated; and barfed selectively over their best instruments with remarkable precision, the aliens removed his chip and sent him packing.
“THE RAIN RUNS in muddy rivulets off the pile of earth beside his grave. No softening of the edges of this funeral. No fake grass discretely covers the mound, just a heap of mud, a pair of dirty spades, and two reluctant gravediggers in fluorescent jackets leaning against the neighbouring gravestone, silently willing us to move on so they can get the job done and head to the pub. Of course nothing will do the Ma but she has to wait until the last shovelful is put on. They pat down the soil with the backs of their spades as though they’re on a building site.
‘Don’t worry that it’s a bit high Missus. It’ll settle down grand in the next few weeks…’
Settle down on top of him and in time, when the wood rots and the earth seeps in, settle down until it kisses his face. I wish I’d kissed him now.
We place the wreaths on the grave as the rain buckets down,
‘Sincere condolences from all at Fahey’s.’ I tear the card off and stuff it my damp pocket before she sees it.”
Read on in ‘Let Me Tell You a Story’ where you can also hear Anne’s own narration by scanning a QR code.
A simplification obviously, and compounded by a number of other influencing factors, but here, from a psychological not a political perspective, is my breakdown of what those were and why they were important. Some of the same issues would have applied had the vote gone the other way.
Why is this important?
Because when something is important AND you’re not familiar with the process AND you feel a bit daunted, you’re less likely to be confident about your actions. Suddenly being alone in the booth with just a ballot paper and a pencil can cause people question their judgement or make a mistake in applying it.
Why is this important?
Because despite quite extensive work to maximise accessibility of the ballot paper, a quick check of readability (Flesch-Kincaid Reading ease) places it at 12th grade, or around age 16 years, making it accessible by only around 37.2% of the population. Changing one word – from Remain to Stay – increases that to 42.5% and reduced the grade to 11 (or 14/15 years). The Electoral Commission chose not to do this because of feedback that equated Stay with a command.
Why is this important?
Because given the situational demands of unfamiliarity and complex wording, there needs to be a recognisable cue to maximise certainty. Names can be learned and then recognised so that reliance on reading is reduced as people just look through a list for the name they know. An absence of such cues increases uncertainty and also therefore dependence on other mechanisms such as something understandable or a visual cue like an icon. The EU referendum campaign employed a range of images and slogans with the same colours appearing on both sides so that none would have made a recognisable logo to assist people in finding their preferred voting box.
Why is this important?
For two reasons, only one of which the Electoral Commission addressed and which may, given the shortness of the list, be less relevant than the other. In any list of items to remember, there is often a Recency effect whereby the last item is more likely to be remembered than earlier ones. However, there is also a Primacy effect such that the earliest items are also more likely to be remembered, creating a dip in the middle where much is forgotten. In a two-question ballot, neither could really be said to come into play. The other effect though, is very likely. When people are unsure, they often choose the second of any two options and in this particular context not only was Remain a more difficult word to process (as shown by the effect on readability of its substitution by the word Stay), but the easier word Leave appeared in the second option. This raises the possibility that a significant number of people, caught in the situational demand of what they were doing but struggling to process the wording, may have placed their cross in the box adjacent to the sentence they most understood.
Why is that important?
Because both Boris Johnson and Michael Gove are ex and current journalists who have these skills and appeared to apply them expertly to create the kind of concise messages that appeal to the readership of popular media outlets. These tend to be emotionally rather than factually driven and are often aligned with key target concerns. In this case immigration, the NHS, and jobs.
Why is that important?
Because this is how the issues raised in 5 above were possible, why they can’t be challenged, and why dishonesty and manipulation were able to take the place of clear and accurate information on both sides. Decisional capacity is founded on being given the best possible information towards making a choice. Where that is lacking, any choice is unsafe. It applies to all hospital and similar procedures where the outcome has implications for the patient and there are risks and benefits to weigh up. An election – a contract between the information giver and the recipient – is no different in reality, except that the outcome affects more than the one individual decision-maker.
The questions on the EU referendum ballot paper required people to condense a multitude of arguments, each in itself of huge complexity and presented, if people were not inclined or able to engage in their own research, as simple matters linked to emotive and high profile domestic issues. Those arguments were not bound by standards requiring them to be ‘legal, decent, honest, and truthful’. They were also less easy to read than they should have been to accommodate the large numbers of the UK populace whose literacy does not reach beyond the 11-12 year level. Further, the positioning of the questions was such that the most readable came second and was therefore potentially subject to second option bias that has been shown to kick in under conditions of uncertainty.
Any further referenda, held for whatever reason, would do well to
 See A Voice explains it clearly and significantly, is a marketing company http://www.see-a-voice.org/marketing-ad/effective-communication/readability/
 Electoral Commission. The full report can be downloaded as a PDF http://www.electoralcommission.org.uk/find-information-by-subject/elections-and-referendums/upcoming-elections-and-referendums/eu-referendum/eu-referendum-question-assessment
 Recency Effect https://en.wikipedia.org/wiki/Serial_position_effect