Rapture by Phillippa Yaa de Villiers, notable South African poet, performance artist, and PhD candidate with Lancaster university. Rapture was First published in the 2013 anthology For Rhino in a Shrinking World (Ed Harry Owen).
Shadow by Lyn Jennings, poet and past Educational Psychotherapist for children with learning difficulties. Shadow is ‘dedicated to our neighbours at Shoreham with respect and sympathy for all who died or suffered in the Air Show disaster [West Sussex 2015]’.
Ducks in a Row by Suzanne Conboy-Hill, short story and flash fiction writer. This was also written after a Hawker Hunter jet ploughed through traffic waiting for the lights to change or standing on the verge watching the display.
Wood by Tracy Fells, short story and flash fiction writer with novels on the production line. Wood is a relationship story that sheds a different light on the idea of going back to one’s roots.
All material taken from the Anthology Let Me Tell You a Story (contributing editor, Suzanne Conboy-Hill) available from Lulu (print and ebook) and Amazon(print only). Listen to Ian McMillan’s foreword:
“Sometimes I can read a poem on the page and I can’t quite make out what the author’s intention was: there’s something there, I can tell, but it’s hidden in the language-mist. When I hear the poem read aloud, (or accompanied by music, or acted out by a variety of voices: anything is possible once you start down this road) then the clouds are blown away and the poem does what it meant to say on the tin, to re-fashion an advertising slogan.” Ian McMillan.
Ian McMillan is a poet, broadcaster, and presenter of BBC Radio Three’s The Verb, a programme that celebrates the spoken (and sung, and chanted, and pounded, and whispered) word. Ian’s appreciation of language; its flows and rhythms and its very many forms are what drew me to listening weekly to his programme. His way of showing language as living thing that can dance on the page if you let it out of the reverential box it sometimes gets trapped in led to me ask if he would consider writing this piece for us.
“Sometimes I can read a poem on the page and I can’t quite make out what the author’s intention was: there’s something there, I can tell, but it’s hidden in the language-mist. When I hear the poem read aloud, (or accompanied by music, or acted out by a variety of voices: anything is possible once you start down this road) then the clouds are blown away and the poem does what it meant to say on the tin, to re-fashion an advertising slogan.”
Ian is a Yorkshireman; he writes the way he speaks, and he speaks with a voice like a pint of strong dark beer in a big dimpled glass. So ease yourself into the soft-padded fireside seat of your favourite minds-eye pub, take that big glass in your hand – both hands if necessary – and give your minds-ears a treat.
This anthology, which links voice recordings of the short stories and poems directly to the text on the page, is due out in late April. Despite being very simple, this application of the technique may be a world first and has implications for the delivery of essential information to populations whose reading skills are not as perfect as the material often requires. There’s more here at Readalongreads.
Control was a competition piece and reached the finals of its group. MashStories have voiced it and posted the audio on Soundcloud. I don’t know if the choice of voice artist was coincidental but she is appropriately British and does a jolly good job!
‘Frozen Fireworks’, Readwave, February 6th, 2014. The last real day is bright and brilliant with a sky full of clotted clouds that tumble along like cream puffs in the thickening air. When the storms break, they cast scaled and feathered flying things down onto the sand, and the sand begins to swim like wet concrete around them.292 words